As I mentionned yesterday, I will now be writing somewhere else. Not because I’m not in like with foodbeam anymore, but because it feels right. Just like the moment I share with the coolest kid on the planet this morning.

Quite obviously, foodbeam will stay forever in my heart and on the internet.

For now, comme un lait fraise – or like a strawberry milk, you choose – is not yet the cosy place I had dreamt about, but I’m hoping it will eventually.

A place to share precious recipes, moments and places. A place that smells like rain and feels like being wrapped up in a blanket.

I will be honest with you and say how terrified I am with the thought of starting all over again. But it makes sense.

So join the party. And follow me across the pond! xx

But mostly I remember how happy I was. And certainly, how happy I am when I realise that I can handle a busy service, or organise my section, or even when I highlight the words from my prep list – meaning it’s been made.

So yes, 2010 was a good year. With laughs and tears, and more laughs. With perfect quenelles, and trust me when I say it’s all about the quenelle. With delicious food and delicious people.

I fell in and out of love twice. I fell in love with my job. And I fell in love with the most amazing people who make my days seem like a dream.
Namely, head-chef Richard Hondier, sous-chef James Mitchell, and my very own petit-pois or ecureuil sauvage - depending on my mood – Jack Walker, the apprentice.

Because in the end, there is no such thing as being surrounded by people who are passionate and push you out from your comfort zone, instead of being carrier-driven.

Now, I wish I had had the time to take more pictures of some of my very favourite desserts – mostly created for the set lunch menus – but service is fast and at times, brutal. A bit like being hit by a wave.

So instead, I’ll share my favourite experiments, because this is what I feel like doing at home now. Experiment, fail or not.

A beetroot cake. Possibly one of the best things that ever got out from oven. It was moist and fragrant. The perfect support of a rich cream-cheese frosting or a long afternoon of writing.

The cocoa brownies. My favourite discovery of this past year. Brownies that are chewy all the way through. And so easy to make, you’ll be able to have them for breakfast. Or lunch. Or dinner.

The avocado macarons. The recipe hasn’t been written yet, but those macarons were delicious. And not only because I’ve finally found the right settings on our oven for them to come out perfect, each and every time.

A rhubarb entremet. Made in early spring. With the people I care the most about. My grand-father went for a second serving and this, my friends, is a sign.

The little matcha brioches. Matcha might be an acquired taste to some, but for me it is the absolute favourite. And those cute brioches were simply delicious.

A lemon cake. This one was made and remade a greater number of times than I dare to admit. Everybody seems to love it. This is why I always have one in my freezer, just in case.

Looking backs at my recipes inevitably brings back memories.

Hours spent sat at the brasserie just below my old flat, writing the very beginning of a pastry book, while the snow was on its way.

Hours spent at the restaurant, working hard and playing harder. Filling the pages of my moleskine notebook with ideas for the desserts and afternoon teas.

Hours spent chatting with my friends Violet and Janelle, whose support I cannot be thankful enough for.

Hours spent trying to understand how to set up a business in London. Saving every penny you very genereously gave me to, one day, make my dream come true. And trust me, you’ll be the first to know when that happens.

This year, I have few resolutions. The main one is to focus and unclustter.

I will finish to write my book. I will learn ever and forever more. I will eat out as much as I possibly can afford it. I will learn Japanese. I will create a work portfolio. I will slow down at times.

And, because I feel like starting everything over again, I will stop writing here. Only to find a better place, which hopefully you will like as much as I do.

So while I’m drifting ashore on my little boat, I wish you all a happy new year. See you soon, on a new island.

Twenty-three days after I started writing here daily to celebrate the upcoming holiday, I have a confession to make.

A lot of words have been left unspoken, a lot of pictures have been left unseen, a lot of recipes have been left unshared. Mostly because life, love and kitchens have gotten in the way.

And yes, I will admit it, the occasional champagne glass too.

As you may know, I will be spend my Christmas day feeding other people. From the kitchen. In quite a traditional way, with Christmas pudding and all the trimmings, and mince pies.

And I will spend my nights are the hotel, because London likes to stop time – and transport – on this very special day.

So I won’t be able to talk to you before a few days.

In the meantime, I wish all of you the best Christmas ever. With your loved ones, good food, and fairy-lights. x

I thought I would go straight to bed today. Without dropping by to say hello. Oh yes, I thought of my very favourite blanket and the quietness of the snow-coated night ahead.

What I didn’t think about was that, no matter how long was my day or how tired I feel, the cab driver who is, more or less, safely taking me home will always make me smile. He will sing like there was no tomorrow, he will rant about the latest game of his favourite team, or he will make me swear three times that – no – I am not Billie Piper.

So well, since today started with a picture of the smallest apples covered by snow taken with my beloved Pentax ME Super, it seems evident to end the day with a special feature about this special camera.

I got it back in 2008. Another summer day. A lovely vide-grenier [garage sale] in Fouras. After a difficult start – and by difficult, I really mean a blank first roll – I started to fall in love with it.

This camera might be my favourite. And it shows. Just a short year later, it’s spent so much time in my bag or around my hand that I’ve had to tape it up together.

It’s the perfect camera when I want to slow down and take the time to see – or more accurately, notice – the beautiful things that surround me.

Especially with the 50mm f/1.7 lens. A gem. Or perhaps, even more fitting a description, a dimestore diamond.

At the moment, I’m only using Kodak Gold film and I became best-friends with my picture-developer-boy. But things I’m really hoping for are trying new films and developing myself.

I also really want to use it more for food photography because the results always feel so right.

And yet, I somehow, almost exclusively use it for often-overlooked everyday-details. I remember a movie where the girl would pretend to take pictures to lock memories somewhere safe. Well, this is my very own memory catcher.

Good night my little monsters.

This Minolta Instant Pro is the latest camera I got. Another day of summer. This one, three years later and a thousand of kilometres away.

It landed in London after a night made of biding on ebay. Which happened after a night made of words from Molly. Which happened after a night made of the pictures she took.

At the time, I already had a Polaroid SX70. My love. And yet, the rectangular format of the 1200 film felt so right.

And indeed it was. In just a short four months, more than ninety of the so-peculiar-sound produced by instant cameras have been heard.

Ninety pictures. Some of them blurry, some of them with flaws, some of them sharp. All of them perfect.

This camera is matchless when I need instant pictures that illustrate, not what I see, but what I want to see. I find it to be the most amazing thing for journalling and food photography.

Especially with this film and a close-up lens, also purchased from ebay.
And, even though, it is sometimes difficult to judge the right distance between the object and the camera, it is – and I’m certain, it will stay as such – a process I love.

Until today, I thought you had to pull the little cord in order to enable close-up. And a friend pointed out that it might be a way to measure the right distance. No more out of focus.

Until today, I had never seen so much snow in a city. Whether I see the world through a close-up lens or not, it is here. On my window – one foot away – or on the pavement.

The diptych above might be a bit blurry, because I went sans-flash – as always – and my whole body was shaking from the cold wind sneaking its way to my bedroom, but it shows quite nicely the role of the close-up lens.
Everything one-feet-far will be in focus and surrounded by a gorgeous haze. Just like it would if I forgot to put my glasses on.

And for the little monster du jour.

I got the Canon 400D during a perfect day of summer, back on the cote d’azur – la cote or le sud, as we call it, us expats.
It was around July 2007.

I bought it new, with the kit lens – a 18-55mm, which is still used when pictures of polaroids are needed – and the 50mm f/1.8.
A few months later, the macro 100mm f/2.8 followed.

It feels like a long time ago. And I still love this camera endlessly. It might not be my favourite or the most practical for travels, but it’s perfect when I want immediate pictures that capture or, even, enhance the reality.

In fact, when day-light becomes what should be called day-darkness, my Canon is priceless for all the photography your eyes can see around here.

The proof is this picture taken today at five pm, when all I could gaze at through my window was the rain turning into snowflakes. And really, it might be five pm, but it’s been dark ever since I woke up at ten am. Fact.

For this same reason, I shoot everything in RAW mode. A RAW image is just like JPEG, except that when I click on the vignette of my Adobe Bridge (which is my photo management application), the Camera RAW software launches.
And just like I would do it in Photoshop, I can tweak the settings – colour, exposition, contrast, saturation, luminosity – until I reach the desired state. At which point, I open it in Photoshop to resize, crop, and save into a JPEG file.

One thing that particularly makes me feel in love with this camera is the ability to shoot in continuous mode.

It’s very nifty to create the animated gifs I like so much.

For example, this one, created after Anna-Sarah and I made an apple and cinnamon strudel.

And because this little monster is possibly the one thing I photographed with all my cameras, it will make the perfect reference.

For the record, here are some of my favourites for the year that has passed. As you can see, they aren’t too many.

In fact, over the last months, I’ve been using my film cameras more than ever.

But more to come on this tomorrow…

At times, things seem a little less easy. An unheard alarm. A lost friend. A worrying thought.

But we adapt. Not because we have to, but because we believe in what we do.

Right this second, my very own form of adaptation will materialise into laughs that bring tears and a good night of sleep.

The perfect cure. For almost everything.

So instead of the plan, which was to show you this rather delicious bonbon cake, I will now ask you a question.

What do you think is the secret ingredient for this moist and delicate sponge?

And evidently, the recipe will come soon.

It might be my very own wish-list, but I’m pretty sure you know someone who loves capturing the everyday through a camera. Happy shopping (only two weeks to go!).

A little album. To store all your polaroids and instax minis, on ebay.
A beautiful print by my favourite photographer. To remember, at etsy.
A cute diana F+ camera with an instax mini back. For party fun, at lomography.
A cherished mamiya universal with a 100mm f/3.5 lens and a polaroid back. For life, on ebay.
A small calendar for the year to come. For taking the time to see the days replace days, at etsy.
A gorgeous strap. For tokyo dreams, on photojojo.
A simple but clever camera bag. For your loves and more, at kelly moore.
A few pack of instant film. To win against the impossible.
And some kodak spectra. Just because one can never have enough of it.

There is no way I could phrase the following in a pretty and grammatically-accurate way, so let’s get it out straight away. And please get over my use of exclamation marks.

Because, I have been qualified for the annual awards of excellence !

And I fell asleep yesterday night. And it felt good to sleep for ten hours. Without having to snooze ten times in between six am and 8 am.

In the process of establishing a special connection with my bed, I forgot to publish the post I had planned.

A lovely gift guide. Which will shortly make its way around here over the next few days. Because, right now, we have to discuss about weddings and countryside and rhubarb.

In fact, I thought you might like to have a peek at my application.
It totally feels out-of-season. And possibly is the less Christmassy thing you could ever come across. But I’m too excited not to talk about it.

I called my parents, I called my friends, I called my chef.
So consider this, a call from me to you.

For this country wedding, I wanted the dessert to recall fields of wild flowers and the fresh breeze of a late spring afternoon.

I created it with the location and season in mind. Starting from Yorkshire forced rhubarb – which is cultivated indoors by candlelight and couldn’t feel more appropriate for early April – I built layers that would highlight the beauty of such a delicious product by adding a deeper flavour, and a satisfying range of textures and mouth-feels.

A soft vanilla bavarois is surrounded by a crisp meringue, a stick of bright-pink poached rhubarb, a couple of violet jelly cubes, a quenelle of rhubarb sorbet and some sugar-coated violet flowers; as a free-interpretation of the usually summery Eton mess, eaten when the first strawberries are just starting to grow.

And then, I continued blah-blahing about how each component interacts with the others. But really, let’s hope this dessert brings me luck, because it’s going to be a tight six hours of work with: puff pastry, galette des rois, cheese straws, meringue, poached rhubarb, vanilla bavarois, violet jelly, carrot cake, cream cheese frosting, marzipan carrots, chocolate writing, and more.

Se you tonight for the actual 8th bauble. x

Today felt short. It was frosty. And made of more mise-en-place making than you could imagine.

I’m now in love with my bed; its million pillows and triple layer of blankets. So I just want to share three things. A moment. A kitchen tool I love. And a recipe idea for the winter.

The moment was early this morning, when the sun was barely here yet. I saw frost on my window. It was gorgeous.

The kitchen tool I used the most today was a pastry cutter.

At work, we have two sets, with many missing-and-found rings. A perfect mismatch of plastic. At home, I have the same two sets, strangely still neatly kept in their boxes.

The recipe idea comes from fond chilhood memories at my parents’ best friends’ house. They had the tallest tree, from which kilos of golden and soft fruits would fall on the ground.

Obviously, we would eat them like this, with our fingers getting cold with the wind and the juices staining our shirts. We didn’t even bother washing them. The fruits and the stains.